Francesca da Rimini
Франческа да Римини
Zandonai's compelling opera, inspired by an episode from Dante's Inferno, returns in the ravishingly beautiful production, last seen at the Metropolitan Opera in 1986. Dramatic soprano Eva-Maria Westbroek and tenor Marcello Giordani are the doomed lovers. Marco Armiliato conducts.
Italy, 13th century. In the house of the Polentani family in Ravenna, servants joke with a jester. They are interrupted by the arrival of Ostasio, who, for political reasons, plans to trick his sister Francesca into marrying the cruel Giovanni Malatesta, known as Gianciotto, who is deformed. Francesca, who has never met her future husband, has been led to believe that she is to marry Paolo, Gianciotto’s handsome brother. Francesca enters, upset at the prospect of leaving her home, and is comforted by her sister. The servants rush in to tell her that her bridegroom has arrived; they declare him the fairest knight in the world. It is Paolo, arriving in place of his brother. The sisters say goodbye as Paolo enters the courtyard. Francesca offers him a rose and, without exchanging a word, they at once fall deeply in love.
Francesca now lives in Rimini as Gianciotto’s wife. During an attack on the Malatesta palace by a rival family, she meets Paolo and gently reproaches him for the fraud practiced on her. He begs her forgiveness and asks how she would have him die, then rushes off to battle, fighting furiously. Francesca prays for God’s protection. An arrow seems to strike Paolo in the head and he collapses. When Francesca rushes to him, he tells her that he is unharmed—it is his love for her that is killing him. Gianciotto arrives, surprised to find his wife amid the fighting men. Francesca offers him and Paolo a cup of wine in celebration of their victory. When Malatestino, Giovanni and Paolo’s younger brother, is carried in, Francesca bandages his wounded eye with her scarf. The men rush back to finish the battle.
Francesca reads the story of Guinevere and Lancelot to her ladies, who entertain her with dancing and singing. She dismisses them when her maid Smaragdi brings news that Paolo, who had left Rimini to forget Francesca, has returned. He enters and Francesca begs him to give her peace, but he declares his love. They continue to read from the tale of Guinevere and Lancelot and finally kiss, following the lead of the legendary lovers in the story.
Part 1: Malatestino, who is desperately in love with Francesca, pleads his case with her, even offering to poison Gianciotto. She is repulsed by his advances, and he leaves just as Gianciotto arrives. Francesca tells her husband of Malatestino’s behavior. When Gianciotto confronts his brother, Malatestino reveals that he has seen Paolo entering Francesca’s room at night. Gianciotto demands proof of his wife’s infidelity, and the two brothers agree to surprise the lovers that very night.
Part 2: Francesca has bad dreams and is comforted by her ladies. Paolo arrives and both renew their declarations of love. When Gianciotto’s voice is heard from outside, Paolo tries to escape through a trap door but is caught by his brother, who forces his way into the room. Gianciotto is about to stab Paolo when Francesca jumps between them and is killed. Gianciotto then stabs Paolo and the lovers die in each other’s arms.
3 hours 20 minutes
The Met: Live in HD. Season 2012-2013Весь сезон
Francesca da Rimini
Zandonai's compelling opera, inspired by an episode from Dante's Inferno, returns in the Met's ravishingly beautiful production, last seen in 1986.
The opera that conquered London in Handel’s time comes to the Met in David McVicar’s lively production.
La Clemenza di Tito
The virtuosic Elīna Garanča sings Sesto in Mozart’s drama set in ancient Rome.
The Met offers a rare opportunity to witness Berlioz’s vast epic, last performed at the Met in 2003.
Mezzo-soprano Joyce DiDonato, one of the world’s most exciting singers, takes on the virtuosic bel canto role of the doomed Mary, Queen of Scots.
Jonas Kaufmann stars in the title role of the innocent who finds wisdom in François Girard's new vision for Wagner's final masterpiece.
Director Michael Mayer has placed his new production of Verdi’s towering tragedy in Las Vegas in 1960
Composer Thomas Adès conducts the Metropolitan Opera premiere of his own work
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